Archaeologies of the Future: The Desire Called Utopia and Other Science FictionsThe notion of the utopian is also explored through representations of otherness, alien life and alien worlds in science fiction, including LeGuin, Lem, Stapledon and the Strugatskys, and concludes with an examination of the opposing positions on utopia and an assessment of its political value and function today. The volume also includes a collection of Jameson's essential essays on science fiction, including studies of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss and Kim Stanley Robinson. |
Contents
Varieties of the Utopian | 1 |
The Utopian Enclave | 10 |
Morus The Generic Window | 22 |
Utopian Science versus Utopian Ideology | 42 |
The Great Schism | 57 |
How to Fulfill a Wish | 72 |
The Barrier of Time | 85 |
The Unknowability Thesis | 107 |
Generic Discontinuities in SF Brian Aldiss Starship | 254 |
World Reduction in Le Guin | 267 |
Progress versus Utopia or Can We Imagine the Future? | 281 |
Science Fiction as a Spatial Genre Vonda Mclntyres The Exile Waiting | 296 |
The Space of Science Fiction Narrative in Van Vogt | 314 |
Longevity as Class Struggle | 328 |
Philip K Dick In Memoriam | 345 |
After Armageddon Character Systems in Dr Bloodmoney | 349 |
The Alien Body | 119 |
Utopia and its Antinomies | 142 |
Synthesis Irony Neutralization and the Moment of Truth | 170 |
Journey into Fear | 182 |
The Future as Disruption | 211 |
AS FAR AS THOUGHT CAN REACH | 235 |
Fourier or Ontology and Utopia | 237 |
Other editions - View all
Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions Fredric Jameson No preview available - 2007 |
Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions Fredric Jameson No preview available - 2007 |
Common terms and phrases
aesthetic alien already attempt become begins called capitalism central Chapter characters collective combination complex concept constitute construction culture distinct effect emergence example existence experience expression fact fantasy Fiction figure final force formal function fundamental future genre hand historical human ideology imagination includes individual industrial interest invention kind language later least less living Mars Marxism material matter meaning merely mode namely narrative nature novel object observed offers once opposition organic original particular past perhaps period political position possible precisely present problem production question radical reading reality relationship remains representation Science seems sense situation social society space specific story structure suggests sure theory things thought tion traditional turn universal Utopian various vision whole wish York