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RE CONCEPTUALIZING PROGRESSIVE ROCK
King Crimson Larks Tongues in Aspic Part Two 1973
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accent aesthetic album Allan Moore analysis anti-metrical art music articulation artistic beat Beatles Catfish Catfish Blues Chester's compositional concept context counterculture cultural denoting downbeat drum duration eclecticism eighthnote elaboration Electric Ladyland electric organ English progressive rock experimental experimental rock extensional Figure formal formulaic system Frank Zappa function genre gesture Greimas harmonic Hendnx Hendrix's improvisational improvisational idiom Indian music instrumental intensional intervallic jazz Jimi Hendrix Jimi Hendrix Experience King Crimson Lennon's linear melodic contours metric Middleton mode musicians octave orchestral crescendo Pepper performance phrase grouping Pink Floyd pitch popular music progressive rock progressiveness in rock recording repetition rhythmic rock music sequence signifies song sonic sonority source sounds specific stereo structural studio style continuum stylistic subphrase suggests syncopated syntactic synthesis tension textural rhythm textural strand timbre Titon's tonal Tongues in Aspic tonic track Transcription transformational VC(SR verse vibraphone vocal voice 1/lead guitar Voodoo Child