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Page 53 - O[rgans] is the field of immanence of desire, the plane of consistency specific to desire (with desire defined as a process of production without reference to any exterior agency, whether it be a lack that hollows it out or a pleasure that fills it)— We come to the gradual realization that the BwO is not at all the opposite of the organs.
Page 127 - The system ceases to be perceived as a prop whose coherence is supported by empty symbols, and reveals a structure whose manifestation is only mediated by symbolism. An architectural drawing is as much a prospective unfolding of future possibilities as it is a recovery of a particular history to whose intentions it testifies and whose limits it always challenges.
Page 40 - ... modern" building, far down the hill — but they could be admired for free, like the rows of glamorous ocean liners in port downtown. (The buildings look like shell-shocked battleships in drydock today, while the ocean liners themselves are all but extinct.) As I saw one of the loveliest of these buildings being wrecked for the road, I felt a grief that, I can see now, is endemic to modern life. So often the price of ongoing and expanding modernity is the destruction not merely of "traditional...
Page 90 - I am speaking, the subject's dominant aim is to possess himself of the contents of the mother's body and to destroy her by means of every weapon which sadism can command.
Page 119 - At the edge of the break, infinity, or the absoluteness of the Idea can be revealed in what Kant calls a negative presentation, or even a non-presentation. He cites the Jewish law banning images as an eminent example of negative presentation: optical pleasure when reduced to near nothingness promotes an infinite contemplation of infinity.
Page 72 - So architecture seems to survive in its 'erotic' capacity only wherever it negates itself, where it transcends its parad'oxical nature by negating the form that society expects of it.
Page 115 - There is a tendency to look at large pictures from a distance. The large pictures in this exhibition are intended to be seen from a short distance.
Page 40 - As I saw one of the loveliest of these buildings being wrecked for the road, I felt a grief that, I can see now, is endemic to modern life. So often the price of ongoing and expanding modernity is the destruction not merely of "traditional" and "pre-modern" institutions and environments but — and here is the real tragedy — of everything most vital and beautiful in the modern world itself. Here in the Bronx, thanks to Robert Moses, the modernity of the urban boulevard was being condemned as obsolete,...
Page 117 - The sight of a mountain whose snow covered peaks rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower-strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of the Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling.