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The Nature of the Art page
Communication and Interpretation
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aesthetic aesthetic experience aesthetic intention already Antoni Gaudi appreciation of architecture arcading architect associations Baroque becomes builder building building's Byzantine cathedral century church classical colour communication consciously criticism culture decoration delight design process designer's detect Doge's Palace dome effect eloquence emotional energy enrichment example expected fact Farnsworth house feel Filippo Brunelleschi force Frank Lloyd Wright function give Gothic horizontal human idea ideal important impression Inside instance interest interior judgement Kenzo Tange kind King's College Chapel language legato light look masonry mass materials medieval ment Modern Architecture modulation movement nature observer obvious one's ornament Parthenon particular pattern physical Pier Luigi Nervi play pleasure possibilities proportion Quirinal Palace relationships Renaissance rhythm Roman Ronchamp scale sculpture seen sense shape simply solid space and structure spatial style suggests surface symbolic texture thing tion vault vertical visual wall weight whole window