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The Nature of the Art page
Communication and Interpretation
The Roots of Ugliness
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aesthetic intention already Alvar Aalto Antoni Gaudi appreciation of architecture arcading architect associations Baroque becomes builder building building-task Byzantine cathedral century church classical colour communication consciously criticism culture decoration delight design process designer's detect Doge's Palace dome effect eloquence emotional energy enrichment example expected fact Farnsworth house feel force Frank Lloyd Frank Lloyd Wright function give Gothic Hagia Sophia horizontal human idea ideal importance impression instance interest interior judgement Kenzo Tange kind King's College Chapel language legato light look masonry mass materials medieval ment Modern Architecture modulation movement nature observer obvious one's ornament particular pattern physical Pier Luigi Nervi play pleasure possibilities produced proportion Quirinal Palace relationship Renaissance rhythm Ronchamp scale sculpture seen sense shape simply solid space and structure spatial style suggests surface symbolic texture thing tion vault vertical visual wall weight Weltenburg whole window