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The Nature of the Art page
Communication and Interpretation
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aesthetic aesthetic experience aesthetic intention already Alvar Aalto apparent weight appreciation of architecture arcading architect associations awareness of space Baroque becomes builders building building's Byzantine cathedral century church classical colour column communication consciously criticism culture curve decoration delight designer's detect Doge's Palace dome effect eloquence emotional energy enrichment expected fact Farnsworth house force Frank Lloyd Wright function give Gothic horizontal human idea ideal important impression Inside instance interest interior judgement Kenzo Tange kind King's College Chapel language legato light lintel look masonry mass materials medieval ment Modern Architecture modulation movement nature observer obvious one's ornament Parthenon particular pattern physical play pleasure possibilities proportion Quirinal Palace relationships Renaissance rhythm Roman Ronchamp scale sculpture seen sense shape simple solid space and structure spatial style suggests surface symbolic texture thing tion vault vertical visual wall weight whole window