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Constructivism and De StijI
The International Style
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Aalto Alvar Aalto America approach to design archi architects areas Art Deco Art Nouveau artistic Arts and Crafts austerity Bauhaus Behrens Berlin blocks brick Britain building Center century Charles Jencks Chicago CIAM City classical commercial commissioned complex constructed contrast Corbusier Corbusier's Cubism culture curved decoration deliberately Deutscher Werkbund developed emphasis Europe exhibition experiments expression exterior fagade forms Frank Lloyd Wright functional Germany glass Gothic Gropius Hall Hannes Meyer ideals ideas important industrial innovations inspired intellectual interior International Style iron Johnson lack Left Lever House lllinois London low-cost housing materials ment Mies Miesian modern architecture modern movement monumentality Museum national Style notably ornament Paris patrons Pavilion postwar prewar reflects rejected replaced Rohe Rome roof Russian Saarinen Sheldon Art Gallery shows the influence simplicity simplified skyscraper socialist space standardization steel Stijl structure stylistic Taut tecture tion Tower traditional ture United velopment visual walls West Germany Wright York