Armand Gatti, three plays
A French national, born in 1924 of immigrant Italian parents, Armand Gatti worked as a special correspondent in post-war Europe, Siberia, Korea, China and Latin America. He abandoned journalism in the 1950s to write for the theater. A visionary more than an ideologue, a utopian anarchist more than a partisan, Gatti engages with the themes and experiences that shape the 20th century as we know it: destruction on a global scale, injustice and oppression, displacement and survival, identity and language. His writing challenges theatrical and cultural conventions, inviting us to reassess both the world we live in and the forms we use to represent it.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Abel Antokokoletz ANTOKOKOLETZ KRAVCHENKO ANTOKOKOLETZ Armand Gatti Atom Boy audience belt bicycle bomb buckle Buna camp clock comes Danube dead DISCIPLE Enemon engineer Kawaguchi everything face fairground fight film frau frolick front Gatti's play give goes going Gong Gregori Kravchenko Guinguin head Hildegard Frolick Jean Vilar Jews judge Kalmuk Steppe Kawaguchi kimono Kopalewski KRAVCHENKO ANTOKOKOLETZ KRAVCHENKO Kutsuken Lagrasse lamp leave lives look Louise madame valette Manuel Rodriguez mashimoto Master Michel Leiris Miss Ayasaki Moissevitch Monks Mount Nan Chuan musical robot Nagasaki never niche night Nomura Noona north side objects once Oyanagi P'u Yuan paper storks Paris past patients Pavilions Period photographs placard puppets reuter RODRIGUEZ ANTOKOKOLETZ ruins Seuil Solange Valette speak STELTENKAMP VON BASSEVILLE stops Tatenberg teapot television tell theatre there's thing Tomiko San trumpet Tsubakiyama turn typhoon Urban Guerrilla Warfare Vienna waiting Watanabe watch woman words Zampano