Toward a Psychology of Art: Collected Essays
'A worthy companion to the writer's Art and Visual Perception, and the two books together form one of the outstanding contributions of this century to the psychology of art.'--Journal of Aesthetics and Art Criticism
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AGENDA FOR THE PSYCHOLOGY OF
THE GESTALT THEORY OF EXPRESSION
PERCEPTUAL AND AESTHETIC ASPECTS
PERCEPTUAL ANALYSIS OF A RORSCHACH CARD
ORDER AND COMPLEXITY IN LANDSCAPE DESIGN
THE MYTH OF THE BLEATING LAMB
ART HISTORY AND THE PARTIAL
perceptual analysis of a symbol of interaction
abstract language and the metaphor
CONTEMPLATION AND CREATIVITY
EMOTION AND FEELING IN PSYCHOLOGY AND
THE ROBIN AND THE SAINT
WHAT KIND OF PSYCHOLOGY?
IS MODERN ART NECESSARY?
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abstract abstract art aesthetic appearance architecture artist aspects asserts attitude basic Bauhaus beauty behavior body cognitive color complex composition concepts concrete configuration contour corresponding created creative Cubists derived described direct Edgar Rubin effect elements emotion empiristic essential example experience expression fact factors feeling figure figure-ground forces function garden geometrical Gestalt psychology golden section Gombrich Henry Moore human illusion instance interac interaction interpretation isomorphic kind kinesthetic Le Corbusier look magatama material means ment mental mind modern art modulor movement nature object observer organization over-all painter painting particular pattern perceived perceptual person physical pictorial picture practical primitive principle processes produce properties psychoanalysis qualities reality REFERENCES relations representation Roger Fry Rorschach sculpture seen sense shape similar simple space spatial stimulus structure style symbolic symmetry T'ai-chi tension texture theory things tion Univ visible visual dynamics visual perception Vitruvius whole