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New forms of spectator participation
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achieve action activity aesthetic Agam architect architectural Arte Povera aspects attempt ballet basic Bauhaus behaviour Biennale Catherine Millet colour concept Conceptual art concerned concrete poetry contemporary context created creation creative process cultural cybernetic David Medalla dematerialization direction domain effect electronic elements environment environmental scale example exhibition experience expression fact Francois Morellet Gallery graphic GRAV Gustav Metzger human integration involve kind kinetic art kinetic artists Land art light linked Lygia Clark machine materials ment mobile movement mural notion optical organized painting Paris particular perception physical plastic arts play poetry political polysensorial possible problem production programme question realism realized recent relation relationship role Roy Ascott scientific sculpture sense social Socialist Realism sound sound poetry space spatial spectacle spectator participation stage structure techniques theatre theoretician traditional transformation types visual Yaacov Agam