Art and Concept: A Philosophical Study

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Univ of Massachusetts Press, 1987 - Art - 127 pages
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Addressing the important and timely question of what it is to know something as an artwork, this volume explores the relationship between works of art and the concepts, evaluations, descriptions, and explanations, that we use to account for them. Lucian Krukowski proposes that the origin, meaning, value, and even ending of an artwork can best be understood by examining the interplay between its "concrete and theoretic aspects": i.e., the thesis that what an artwork says or shows includes what is said or shown about it. In Krukowski's view, this relationship is highly volatile, with artworks achieving and relinquishing both status and value as their stylistic alliances with other works prosper or wane over time.

Krukowski, a professional philosopher and a working painter, brings special insight to a number of key issues in this debate, focusing primarily on modern and avant-garde art. He discusses both the European and the American versions of abstract and nonobjective art through the Hegelian concept of historical progress and the Kantian concept of formal autonomy, and he examines Theodor Adorno's attempt to reconcile "radical form" and "social criticism" in the concept of twelve-tone music. He then explores a distinction between "art" and "non-art" by questioning whether there are things we "ought not" appreciate.

The later chapters, responding to the writings of Joseph Margolis, Arthur Danto, and George Dickie, provide a comprehensive theory on the ontology of art.
 

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Art and concept: a philosophical study

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Krukowski, a practicing artist and a philosopher, here argues that in order to define a work of art, we must include what is said or shown about it; that is, we must include the totality of ... Read full review

Contents

Hegel Progress and the AvantGarde in Europe
10
Kant Form and the AvantGarde in America
29
Adorno Protest and the TwelveTone Row
45
Appreciation Obligation and an Artworks End
61
Artworks that End and Objects that Endure
76
A Basis for Attributions of Art
92
Notes
115
Index
125
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Page xi - A Basis for Attributions of ‘Art,' “ Journal of Aesthetics and Art Criticism 39,

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About the author (1987)

Lucian Krukowski is professor of philosophy and department chair at Washington University, St. Louis.

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