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RATIONAL SOCIETY AND IRRATIONAL ART
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abstract aesthetic alienation archetype artist Bauhaus beauty become Ben Nicholson Bosch Bronze h Cezanne colour composition concept consciousness contemporary criticism Cubism culture elements emotion essay essentially existence expression expressionism expressionist feeling figure Franger function Gabo Georges Limbour give harmony Henri Matisse Henry Moore Hieronymus Bosch history of art human ideal ideas imagination individual interpretation Jackson Pollock Jugendstil Kandinsky Kandinsky's Klee Kokoschka landscape London Marcuse Masson Matisse's means method Michelangelo mind Miro modern Moore's Mother and Child movement Munch Museum nature Naum Gabo Nude object Oil on canvas painter painting Paris Paul Klee perception perhaps period Pevsner philosophy Photo Picasso plastic Plate portraits principle problem Professor Gombrich psychological qualities reality realized Reclining represent representation rhythm sculpture sense significance social society space spiritual style symbols Tate Gallery Theo things tion unconscious unity universal Vermeer Vincent Van Gogh vision visual vital Wassily Kandinsky word