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Art and Anarchy
Critique of Connoisseurship
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Accademia Carrara aesthetic argument Art and Anarchy artist Baudelaire beauty become Berenson Burckhardt called cathedral century Clive Bell colour composition connoisseur connoisseurship critical Croce Cubisme Dead Christ didactic dissociation effect Essays example experience fact fauve fear fiction film force fragment Gallery Gide Giovanni Morelli Greek Hegel Henry Moore Hogarth Hurel ibid illustrations imagination Italian J.B.S. Haldane Jan van Calcar Jarry kind Kunst l'art lecture letters literary live look Mallarme Manet master Matisse mechanization Medici method Michelangelo modern Morellian Museum Oeuvres painter painting passion patrons perhaps philosophy Picasso picture Plato poet poetic poetry Portrait produced pure art Raphael remark Remy de Gourmont Renaissance Rodin Roger Fry Romantic Schoenberg Schriften sculpture sense shape sketch sort spirit Stilfragen style suggests T.S. Eliot technique theory thought Titian true unfinished Valery vision visual Vollard Wind Wolfflin word