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Experience Nature and Art by John Dewey
The Problem of Appreciation by Albert C Barnes
Art as Creative by Laurence Buermeyer
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abstract academic achieved activities aesthetic appears appreciation Art in Painting artist Barnes Foundation Botticelli Cezanne's chiaroscuro Clive Bell color composition contemporary contrast course creation creative criticism cubistic decorative Delacroix distinction distortion education in art effect emotion essential example experience expression fact feeling Florentine function fundamental Giorgione Giotto grasp Greco Greek habits harmonious history of painting human imagination imitation impressionists individual integration intelligent interest Laurence Buermeyer less light literal Manet Mary Mullen Masaccio mass Matisse ment merely method Michel Angelo mind modern mystical nature Negro sculpture objects organic painters pattern perception Picasso Piero della Francesca plastic art plastic design plastic elements plastic form plastic means practical present principles psychology reality relation Rembrandt Renaissance Renoir and Cezanne represent result revealed rhythm Rubens sense solidity space-composition spatial subject-matter teacher technique theory things Thomas Munro Tintoretto tion Titian traditions Velasquez Venetians vision