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THE PATTERN OF THE PRESENT ARGUMENT REGARDING THE RELA
PLATO TO PETRARCH
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ancient Aristotle art's artist baroque beauty became Byron called Carlyle Christian Church Cicero classical color culture Dante dialectic doctrine emotion England essay esthetic esthetician eternal existence experience expression faith father Faust feeling France freedom French function genius German gild Goethe Goethe's Greek heart Hegel Helen Homunculus human ideas imagination imitation incarnation individuum ineffabile industry ineffabile ineffable intellectual John Ruskin labor Lamennais later liberal libertarian liberty living logic Louis master means Mephisto metaphysical mind mood moral Napoleon nature Offenbach organization painters painting passion Pater perfect Petrarch philosophy of art Plato poems poet poetry political Pope pre-Raphaelites Proudhon Quintilian reason religion Revolution rococo romantic romanticism Rome rule Ruskin Sainte-Beuve salvation Schopenhauer sculptors sense sentiment Shelley social society soul spirit Swinburne symbol Taine taste theme things thought tion tradition true truth ugly universal utter vision Wagner Whistler wrote