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THE CONNECTICUT YANKEE TAKES KING
THORSTEIN VEBLENS POLITICAL ECON
THE ARTISTS COMMUNICATION
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abundance American artist assimilated beauty became become Bergson Bolshevik called Catholic Church color communication compenetrated consciousness consequences Croce cubism cult culture dialectic Dionysus discipline dynamic dynamic symmetry economy emotion energy esthetic experience estheticians eternal existence expression faith fascist Fechner feeling Finnegans Wake freedom Freud function German golden section Grant Allen Greek Guyau Hambidge Hegel human ideas images impressionists industrial ineffable intuition labor liberty libido living logic machine Marxist mathematical matter means metaphysical methods mind moral motion motion-picture movement nature Nazi Nietzsche object organic painters painting Parthenon passion patterns perception philosophy of art picture Plato pleasure post-impressionism post-impressionist practice principles psychoanalysis psychology Pythagoras reality relations religion rhythm schools scientific sense shape social society sort Spencer spirit spontaneous struggle Superego survival Symbolists symbols technique theory things thought tion tradition truth universal values Veblen vision