Art and Perception: Towards a Visual Science of Art, Part 2
VSP, 2008 - Psychology - 398 pages
This volume is a collection of articles which explore the relations between modern and classical visual art on the one hand and what is currently known or believed about visual perception, visual exploration, the eye, and the visual brain. The book includes speculative as well as firmly-grounded theories and approaches. Articles have been chosen for their scholarly value, their scientific approach as far as possible, and their intrinsic interest.
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How do painters represent motion in garments? Graphic invariants across
Implicit and explicit features of paintings
S Markovic and A Radonjid 61
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Art and Perception. Towards a Visual Science of Art (2 Vols)
No preview available - 1990
activity aesthetic preference amodal appears artists artworks background Berlyne Bertamini binding problem boundary boundary representation brain cognitive complexity components contours contrast convergent corner angle create cube cubism cues curved depicted depth diagonal distance effect Emmert's Law emotional experimental explicit features face factors Figure figure-ground filling-in filtering fMRI frame garments Gestalt Grossberg happening horizontal human illusion of art illusory images implicit impressionism lines Louvre Museum luminance meta-object mirror Moon Illusion motion Museum neural correlates neuroimaging Neurosci objects observer optical orbitofrontal cortex orientation paintings pareidolia part-whole organization participants patterns perceived perceptual meanings perspective phenomenal picture Pinna position processing projection properties Psychol psychophysical quadrilateral realism receptive field reflection representation represented reverse perspective right-facing rotation salient scales scene shape shows similar space spatial spatial frequency specific square stimuli subjects suggested Suprematism surface symmetry vertical viewer Vision Research visual perception visual system window Zeki