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An Institutional Analysis
The Origin of the Aesthetic
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aesthetic appreciation aesthetic attitude aesthetic experience aesthetic object aesthetic perception aesthetic-attitude theory Aldrich Alison argument Art Criticism artifactuality artworld aspects attitude theorists Beardsley Beardsley's theory Bullough candidate for appreciation Chapter characteristics classificatory sense concept of art conception of aesthetic conferring the status defined definition direct perceptibility discussion driftwood earlier ence example faculty of taste feelings I. A. Richards Ibid individual powers institutional theory involves ject Journal of Aesthetics judgments of taste Kant Kant's Marvin Monroe Beardsley nonaesthetic notion of aesthetic Othello painting perceived performance perhaps person Peter Pan Philosophy of Art pleasure poem preciation principle of distinctness psychical distance psychological qualities relation representation Schopenhauer's aesthetic secondary conventions specific kind spectator stage status of art status of candidate Stolnitz theater seat theory of aesthetic theory of taste thetic experience thetic object things tion unified Virgil Aldrich visual design Vivas Weitz