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The Aesthetic Experience
The Materials of the Work of Art
5 other sections not shown
abstract achievement aesthetic experience architecture art criticism artistic creation artistic form aspects basic beauty Beethoven central character characteristic Clive Bell Clothbound colors complete creative process Croce described dimension of expression diverse drama Eadweard Muybridge feeling formal genetic Greek harmony human I. A. Richards ideal of art illustrations imagination immanent individual instrumental interdimensional intrinsic perception intrinsic perceptual interest intuition J. B. Bury judgment Leo Stein lndex major material principle materials of art means ment merely Michelangelo Mozart nature nonaesthetic functions novel organization painting Paperbound perceive percipient person philosophy physical plates possible principle properties public object qualities realization relations representation rhythm romanticism sculpture seems sense sensitivity shapes social society specific spiritual structure subjective phase suggestions T. S. Eliot telic telic factors temperament terminal values theory of art thetic tion tive tones traditional trinsic truth type patterns unity University usually vision York