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THE AESTHETIC EXPERIENCE
THE MATERIALS OF THE WORK OF ART
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abstract achievement actual aesthetic experience aesthetic function aesthetic perception aesthetic values architecture art criticism artistic creation artistic form aspects basic Beethoven central character characteristic Clive Bell colors complex creative process Croce described dimension of expression diverse drama effect feeling fine art formal genetic George Santayana harmony human I. A. Richards ideal of art imagination immanent individual interdimensional intrinsic perception intrinsic perceptual interest intuition judgment Leo Stein major material principle materials of art means ment merely Michelangelo Mozart nature nonaesthetic functions novel organization over-all design painting perceive percipient person philosophical possess possible properties public object qualities realization relations representation rhythm Roger Fry romanticism sculpture seems sense sensitivity shapes social society specific spiritual subjective phase suggestions superior T. S. Eliot telic factors terminal values theory of art thetic tion tive tones traditional trinsic truth type patterns unity universal usually vision York