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THE CONTEXT AND SOURCE OF ART
THE ANALYSIS OF THE PSYCHE
ffTTHE PANORAMA OF EXPERIENCE
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accumulated acquaintance activity actual things aesthetic experience aesthetic object aesthetic process affective appear appreciation apprehension artifacts artist aspects assimilation attention attitude awareness become cerned character of things cognitive complete concerns concrete confronts connectedness consciousness course creation creative deal with things defined distinct doctrine dominant effort elements embodied emotions ence encounters with things entities environment episodes exhibit expression expressionism fact familiar feel formal art function Fyodor Dostoyevsky G. P. Putnam's Sons grasp habits Henry James Hippolyte Taine human enterprise ideas images import insight intense interest interpretation isolated John Dewey man's material meaning ment mind modes natural occur ourselves painting paradoxes particular thing particularity of things pattern perience present pseudo-art psychic components purposes R. G. Collingwood reality realize reference refined regard seek sense sensitive sensuous significant situation structure T. S. Eliot theory thetic Thomas Wolfe tion unique usually values vision vivid