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CHAPTER PAGE I Past and Modern Aesthetics
Art in Relation to Historical and Scientific Truth
Art and Philosophical Truth
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absolute idea abstract admit allegorical amoral appearance art and beauty ART AND TRUTH artist attitude become called character colour complete conception concrete concrete universal consciousness contemplation created criticism describe distinction embodied emotion ence essen essential example existence experience expression external fact false falsehood fault feeling harmony Hegel human ideal ideal art imagination immoral impression independent instance intellectual interest involved kind lative law of contradiction law of identity material objects matter meaning melody merely mind modern aesthetics moral law nature never not-thought opposition ourselves particular perfection philo philosophy physical picture pleasure poem poet poetry point of view produce pure thought qualities reason sality seems sensations sensuous elements sensuous form simply spiritual subject and object symbolism theory thing-in-itself tion true individuality truer truly uncon unity universal University of Glasgow viduality vulgar or sentimental whole truth words world of sense