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ART MECHANISM INTUITION
ART BIOLOGY ORIGINALITY
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A. N. Whitehead aesthetic aesthetic value ancient art and counterfeit aspects associated ideas Bavarian National Museum belief colour conception conscious contrast counterfeit art craft creature criticism decoration delight disinterested drawing element Enguerrand Charonton expand experience expression feeling felt figurative arts form and design Gallery grasp harmony human illustrate imagery impression individual Ingres Museum inspiration interest light living Marion Richardson material sense mechanical mind mind-picture modern Montaubon Museum nature objects original painter painting perceived perception permanent physical Piero della Francesca plastic form poetry Portrait practical Prado Museum present psychology pure realise reality reflection Rembrandt Robert Bridges sculpture seen sense of things shining shows sight significance soul spiritual style subject matter substance symbol temporal THOMAS TRAHERNE thou to-day tradition translated true art truth ugliness uncon unconscious unconscious mind underlying unity vision visual arts whole witness world of appearance