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History for What?
Art and Vision
INVENTION OF THE ARTS
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19th century ability able Abstract art abstracting accurate achieved actual reality Alfred Korzybski animal Aristotle aspect attempt attitude Aurignacian Camera canvas century Cezanne Cezanne's Christian Classical color concerned consciousness Constructionist copy Cubism culture degree depicted direction distortions dominant effort Egyptian evolution example experience fact factor fantasy Fauvists figure function Gauguin Gogh Greek Hence human form Ibid ideal imitation important Impressionism Impressionists individual invention kind later Leonardo Levant linear art Magdalenian magic means medium method Mimetic Modern Art Mondrian Monet Mousterian Museum nature nature's appearances Naum Gabo notion objects observation orientation painters painting Paleolithic particular past Paul Cezanne perfection period perspective Photograph Picasso Pictographic Piet Mondrian portrait possible Post-Impressionism Post-Impressionists Primitive problem produced realistic realize reason recording Renaissance result sculpture seen similar stage stones structure Surrealists symbols tactile theory things three-dimensional two-dimensional unconscious Vincent van Gogh visual words