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History for What7
Art and Vision
INVENTION OF THE ARTS
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Abstract art abstracting achieved actual reality Alfred Korzybski animal Architecture Aristotelian Aristotle art contents artists aspect attempt attitude Aurignacian behavior Cahiers d'Art Camera canvas century Cezanne Cezanne's color concerned consciousness Constructionist art copy critics Cubism culture degree depict direction distortions dominant effort Egyptian evolution example experience fact factor fantasy Fauvists figure function Gauguin Gogh Greek Hence human form Ibid ideal imitation important Impressionism Impressionists invented Jean Gorin kind Korzybski latter linear art Machine Magdalenian magic medium method Mimetic Modern Art Mondrian Museum nature's appearances Naum Gabo non-Camera notion observation old content painters painting Paleolithic particular past Paul Cezanne Photograph Picasso Pictographic Piet Mondrian Plastic Art possible Post-Impressionism Post-Impressionists primitive problem produced realistic realize reason recording Renaissance result scientific sculpture seen similar stage stone Structural Process Surrealism Surrealists symbols Theo van Doesburg theory things three-dimensional Transitional-Period unconscious visual words York