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THE ESTHETIC BACKGROUND
THE TOOLS OF CRITICISM
Shadowgraph Detail Rubens Double Portrait Frontispiece Fig i Robert Campin Nativity before 1434
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aesthetic altered Angel Annunciation Antwerp appear artist attributed to Campin Backer background Berlin brush strokes brushwork Brussels Burlington Magazine Century Child Christ color contrast copy Crayer critic Crucifixion Daret Dirk Bouts drapery Dyck early evidence Eyck's Eyckian face Figure Fire Screen Flemalle master Flemish Fogg Museum folds Friedlander Ghent Altar Giorgione Giorgione's glazes Granada Altar hand head high lights Hubert Hubert van Eyck imitated impasto influence Jacques Daret Jan van Eyck Jan's Jordaens Lievens Louvre Madonna Maes Maes's manner Master of Flemalle Max Rooses Merode method Metropolitan Museum modeling National Gallery original painted painter panel Petrus Christus pictures attributed pigment point of view portrait pose pupil rays record Rembrandt repainted Repr reveal Robert Campin Roger Rubens seems shadow Shadowgraph Detail signed style surface technical technique thin tion Titian Tournai underpainting Vienna Virgin Martyrs Weyden X rays X-ray shadowgraph