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Adoration Amor Anacreon antique Antwerp Apôtre architects architecture artists Barbieri Gio Bartolomeo Battista Belg Blessed Virgin bolonaise du XIV bronze Bust in marble Carracci Lodovico Catherine Certosa Chamber of rhetoric Collection van Ertborn Danish Danneskiold demi fig Domenichino Dutch Sch Ecole bolonaise Église elder eleve Enfant Évêque Famille Flem Francesco Francia François d'Assise frieze Genius grisaille Guercino Guido Reni Hecke-Baut de Rasmon HISTORICAL PAINTER imitateur Incertain J. C. Dahl Jacopo Jean Baptiste Jean Évangéliste Jésus Christ John Joseph l'Église Landscape Left wing Lippo Dalmasio Lorenzo Luke Madeleine fig Madonna di Galliera Manière Grecque Monastère monument mort museum Paintings Pope Pius VII Prospero Fontana Raffaello Raibolini Francesco Francia Relief Reni Guido Reverse Right wing Roman Rome ROOM Sacristie Sainte Vierge Saints fig SCHOOL siecle Signé Simone da Bologna Sirani Elisabetta Statue surnomme tableaux Thorvaldsen Tiarini Alessandro Tintoretto tomb Triptych Unknown portrait Vierge fig voyez XIV siècle
Page 120 - Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all 130 The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold...
Page 87 - Of this wisdom, the poetic passion, the desire of beauty, the love of art for art's sake, has most; for art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments
Page 85 - The bowl of ambrosia was mixed, and Hermes took the ladle to pour out for the Gods : and then they all held goblets, and made libation, and wished the bridegroom all good luck.
Page 111 - Therefore, that the right course for young artists is faithful and loving representations of nature, ' selecting nothing and rejecting nothing,' seeking only to express the greatest possible amount of fact.
Page 120 - America, the Royal Institute of British Architects, and the American Institute of Architects, have done as little for the progress of restheticism as have the corresponding associations of painters and sculptors.
Page 111 - We hold that it is necessary, in times when true art is little practiced or understood, to look back to other periods for instruction and inspiration. That in seeking for a system of architecture suitable for such study, we shall find it only in that of the Middle Ages, of which the most perfect development is known as Gothic architecture.
Page 24 - Hie opus inceptum fuit et perfectum Venetiis ab Antonio et Bartholomeo fratribus de Murano, Nicolao V. Pont. Max. ob monumentum RPD Nicolai Card. tit. Sanctas Crucis.
Page 110 - Art to observe and record Truth, whether of the visible universe or of emotion.
Page 41 - Sch. 1607 ?-1676 ? 472. Triumphal arch, called after Philip I. — Front view. 473. Triumphal arch, called after Philip I. — Back view. 474. Portrait of Benedict Van Tulden. VAN UDEN (LUKE), THE YOUNGER , Flem. Sch. 1595-1672-73. 475. View of the Abbey of St. Bernard , on the Scheldt , near Antwerp. 476. The Watermill : landscape. VAN UDEN (LUKE), THE YOUNGER, Flem. Sch. 1595-1672-73 AND VAN REGEMORTER (PETER-JOHN) , Flem. Sch. 1755-1830.