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Art History and Connoisseurship: Their Scope and Method
William George Constable
Limited preview - 1938
2nd series activity aesthetic element analysis appear archaeologist art critic art historian Baroque Berenson Byzantine Carolingian centre century changes character chiaroscuro classic art colour conception concerning connoisseur considerable Criticism of Italian decorative difficult distinction document Donatello drapery economic emotional emphasise established estimate evidence example expression fact factor field fifteenth-century Flanders Flemish painting Gallery Giotto Gothic art Gothic painting helped High Renaissance human humanist ideas illuminated manuscript imitation importance Impressionists influence on style Innu inspired interest investigation Italian Art Italy knowledge light and shade limited mainly material ment methods Middle Ages movement North northern Europe object organisation painter particular form period and place picture place of origin political possible primarily problems question realise relation Rococo Romanesque School of Athens scientific sculpture signature or inscription Study and Criticism style characteristic taken a particular technique theories tion torian tradition Tuscany underpainting unity X-ray