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art and movement
New techniques in animation
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abstract achieve aerial image animated film animation camera approach artists audience automatic backgrounds Beflix Britain Canada cartoon cathode ray tube celluloid characters colour computer animation computer-made films conception contemporary create creative cut-out developed device dimension drawing Duchamp electronic especially experiment experimental exploited exposures feature film film art film is based film stock film-making films produced forms frame by frame GOLDSHOLL graphic design graphic style humour ideas illusion industry JAN LENICA JIMMY MURAKAMI Jiri Trnka JOHN HALAS kinetic art laboratory light live action live-action live-action camera live-action photography medium method motion move movement negative normal Norman McLaren object animation optical effects optical printer painter painting Peter Foldes picture Poland possible potentialities production programme projection provides rostrum camera rotating screen shot special effects speed stage Stan Vanderbeek static stop-motion story studios surrealist technical techniques television commercials texturized three-dimensional tion tradition Trnka visual effects Yugoslavia zoom