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THE POINT OF VIEW
MUSCULAR CONDITIONS OF LIFE
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abstractions activity aesthetic American Anna Hempstead Branch architecture art of action articulate artistic Bach beat beauty becomes Blaine building called character chord classic color concrete Conrad Aiken consummatory cooking D. H. Lawrence dancer discursive doubt drama dynamic E. E. Cummings elaboration emotional essential experience expression formulation function give Grant Wood Greek human important impressionism impressionist instruments interest involved jazz Jeffers kind kinesthetic less living action Lola Ridge man's mass music means melody ment modern music modern poetry modern world move movement movie muscles muscular mystical nature orchestras organic painting pattern perception perhaps philosophy play poem poetry poets point of view post-impressionism post-impressionists primitive propaganda range reality refer religion rhythm rhythmic Robinson Jeffers romantic sculpture sense shirt significant song sound structure symbolists symbols T. S. Eliot Tagore textural things tion tonal tone turn variable verse W. H. Auden words