Art & Otherness: Crisis in Cultural Identity
Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which proposed to quantify human "progress." Recently, however, the term "multiculturalism" has come to signify a post-Modern understanding of how visual arts transgress artificial boundaries, and of how there may now exist, perhaps for the first time in history, a post-colonial globalism in the arts freed of ethnocentric value judgements. In these ten crucial essays, McEvilley clarifies how the presentation of art can determine its reception, how "influence" can be bi-directional, how "otherness" serves to define "self," and how art need not necessarily lose its meaningfulness when stripped of badges of universality. Once again illustrating his argument by drawing upon an array of sources and cultures, Thomas McEvilley demonstrates that the post-Modern crisis in cultural identity demands an imaginative, integrating response.
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Revaluing the Value Judgment
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abstract art abstract paintings affinity ancient argument art history artworks attempt called art catalogue claim cognitive colonial contemporary art context criticism culture's curators discourse elements emic essay essence esthetic eternal etic Europe European example expressive intent fact feel fetishes formalist function global Hegelian human idea of quality identity implies India Indian influence involves Joseph Beuys linear Magiciens Marvin Harris mask meaning ment meta-narrative Michael M.J. Fischer model of history Modern art Modernist multiculturalism Musee de l'Homme Museum of Modern myth nature non-Western one's Picasso point of view post-Modern post-Modern exhibition primitive Primitivism primitivist question reality regarded relativized representation Robert Goldwater Rubin seems seen selfhood sense social styles Susan Vogel things tion tradition tribal objects tures Twentieth Century Art Tyeb Mehta universal value judgments Varnedoe viewer visual West Western art Western art history Western culture Witoto words York
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