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ANALYSES OF SELECTED MANUSCRIPTS
APPENDIX A An Abbreviated Table of Contents for the Source
APPENDIX B Mistakes misprints corrections to score and parts
A1's countertheme accompaniment Alban Berg analysis appears articulation ascending bass beginning Berg 49 Berg 66 Berg's block chords bottom system chromatic lines Claudio Spies closing section continues contrapuntal crossed-out decrescendo marking descending semitone detailed sketch developed downbeat draft E-natural earlier version edition emphasis exposition extension motive figure final version fragment full score goal pitches harmony homophonic indicated interval Interval Cycles intervallic labeled linear goals linear motion linear progression lower instruments lowest register manuscript Berg material melody method minor second minor sevenths minor third movement moves directly octave opening of Opus original transposition level pasteover pattern perfect fifth phrase piano score pitch goals pitch-classes plays primary form recapitulation revisions second quartet sketch sketchbook statements of A1 String Quartet subsection sustained pitches tetrachord texture top system Transcription of Berg trichord triplet Unpublished quartet upper register vertical simultaneities voices whole-tone collection written