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Walter Grasskamp Art and money Scenes from a mixed
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17th century advertising altar pieces American Express American popular song Amster Amsterdam Amsterdam and Berlin Amsterdam and London anonymous market Antwerp art world art's artists attributed authenticity Berlin and London Berlin Secession Bok and Schwartz bourgeois brandt church cited clear client commercial commission consumers copies costs criticism of sponsorship crowded cultural D'Andrada differences Dutch Duverger employed Gary Schwartz genre German Gerrit Dou Gogh Govert Flinck guild gulden illuminated manuscripts interests intermediary jazz kind Kunst landscapes less look Martens melody Montias moral museum museum-goers musical theatre musicians Musson National Gallery Netherlands niet Odilon Redon organizers painter paintings Paris patronage patrons percent Pieter van Thiel played players popular music portrait production pupils questionnaire re-attributions ready-made Rembrandt exhibition Rembrandt Research retables Rijksmuseum sell singers social society sold sponsor standard Stephen Sondheim Teniers three cities tion tradition University Walter Benjamin wanted Wilder Workshop