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THE FOURTEENTH CENTURY
THE FIFTEENTH CENTURY
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abstract abstract art Academy admiration aesthetic ancient Angelo antique appear art of painting artist beautiful become called canvas century Cezanne character color Compare composition copy Correggio Courbet critic cubism David d'Angers Delacroix Donatello drawing Duerer effect everything exhibition expression eyes feeling figures French Gauguin genius George Bellows Gericault give grace Greek harmony human idea imagination imitation impression impressionism impressionists Ingres Italian landscape learned Leonardo letter light living look MACCHIAIOLI Manet manner mannerist masters Maurice Denis means Michelangelo mind modern nature Neoimpressionism never nude object opinions painter Paris passions Paul Gauguin Paul Veronese perfection picture plastic poetry portrait produce pupil pure qualities Raphael Rembrandt represent Reynolds Rome Rubens sculpture sensations sense shadow soul spirit statues style suprematism talent taste theory things thought tion Titian tone treatise true truth understand writing