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THE TECHNICAL SPECIFICATION
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absolute pitch acoustical amplifier amplitude appears audible audio audio engineers bass response beat note distortion c/s tone calculated cause channel separation chapter cm/sec compared concert hall Consequently considered cross-talk cut-off frequency dB below maximum detected difference direct sound double bass electro-acoustical system energy equalisation equipment figures frequency range frequency response fundamental gramophone record harmonic distortion heard Hence High Fidelity high frequencies High frequency limit higher influence intensity levels intermodulation distortion less loudness loudspeaker low frequencies masking maximum output means measured microphone milliseconds modulation monophonic monophonic reproduction musicians orchestra output power peak perception permissible phase shift piano pick-up pitch deviations playback played possible pure tones requirements resonance response characteristic response curve reverberation saxophone shown in Fig signal sound level sound reproduction sound source speed stereo stereophonic reproduction studio symphony tape recorder technical threshold of hearing treble turntable violin watts waves wow and flutter