Aural Architecture in Byzantium: Music, Acoustics, and Ritual

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Taylor & Francis, Jul 14, 2017 - Architecture - 258 pages

Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome and Armenia, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word. Engaging the material fabric of the buildings in relationship to the liturgical ritual, the book studies the structure of the rite, revealing the important role chant plays in it, and confronts both the acoustics of the physical spaces and the hermeneutic system of reception of the religious services. By then drawing on audio software modelling tools in order to reproduce some of the visual and aural aspects of these multi-sensory public rituals, it inaugurates a synthetic approach to the study of the premodern sacred space, which bridges humanities with exact sciences. The result is a rich contribution to the growing discipline of sound studies and an innovative convergence of the medieval and the digital.

 

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Contents

Introduction
1
1 Aural architecture in Jerusalem Rome Constantinople and Alexandria
14
liturgical encounters with the early medieval Armenian church
32
written documents in an aural tradition
52
the Byzantine liturgical commentaries
78
5 Christs allseeing eye in the dome
101
mosaic and liturgy at Nea Moni
127
7 We who musically represent the cherubim
143
8 Spatiality embodiment and agency in ekphraseis of church buildings
163
a scientific approach to the humanities and sacred space
176
10 Live auralization of Cappella Romana at the Bing Concert Hall Stanford University
198
Glossary
224
Bibliography
228
Index
248
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About the author (2017)

Bissera V. Pentcheva is professor of medieval art at Stanford University, USA. She has published three books to date: Icons and Power: The Mother of God in Byzantium, The Sensual Icon: Space, Ritual, and the Senses in Byzantium, and Hagia Sophia: Sound, Space, and Spirit in Byzantium. Her articles on phenomenology and aesthetics of medieval art have appeared in the Art Bulletin, Gesta, Speculum, RES Journal of Anthropology and Aesthetics, Performance Research International, and Dumbarton Oaks Papers.

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