Auto/Biography and Identity: Women, Theatre and Performance
This groundbreaking book shows how female performers have used autobiography and performance as both a means of expression and control of their private and public selves, the "face and the mask". It looks at how actors, managers, writers and live artists have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This book facilitates connections--between texts and performances, past and present practitioners, professional and private selves, individuals and communities--all of which have in some way renegotiated identity through autobiography and the creative act.
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autobiographical strategies in the work
The disappearing subject in Susan GlaspelPs autobiographical
Adrienne Kennedys People Who Led
Emma Robinson and the dilemmas
Lena Ashwell and autobiographical negotiations of
the role of her life or the role
Claire Dowies Why Is John Lennon
Other editions - View all
actors actress Adrienne Kennedy Alison's House argues artists Ashwell's audience autobiographical writing autobiography Bernice biography body Box Story career Carmelita Tropicana characters Claire Dowie context critics cultural Deadly Triplets Diary Dickinson Dowie's drama Earth Spirit Ellerslie Emin's Emma Robinson enactment experience explores fantasy female femininity Feminism feminist fiction Fingerlicks Frank Wedekind gender Glasgay Glaspell's heteronormativity Ibid identity James Robinson Planche Janet Cardiff John Lennon John Lennon Wearing Judith Butler Kennedy's Kitty Marion Latina theatre Lena Ashwell lesbian lives London look Lulu Plays male material Missing Voice monologue narrative norms novel photograph piece Planche Player political present production professional published relationship role Rolle Meines Lebens Routledge sense sexual social space stage suggests Susan Glaspell Suzanne telling theatre and performance Theatre History theatrical Tilly Wedekind Tilly's tion Tracey Emin University Press Wearing a Skirt women playwrights
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Female Performance Practice on the Fin-de-Siecle Popular Stage of London and ...
No preview available - 2007