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I AVANTGARDE WARMUPS
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2No reduction added tones adjacent voices Rhythm aleatoric altered chords applicable Avant-garde augmented bass biblical Publisher built in fourths cappella Type changing meters 4/4 chant choir chords built chromatic chromatics Harmony combinations of eighths Composer composition conjunct Harmony Daniel Pinkham diff disjunct Harmony divisi E. C. Schirmer easy Accompaniment eighths and sixteenths finger snaps functional glissandos glissandos Traditional graphic notation Hodkinson individual singer Avant-garde inflected rhythmic speech Knut Nystedt Konowitz libitum pitch libitum rhythm major/minor seconds McElheran minor seconds musical fragments nonfunctional nontonal notation of pitch novelty Range ostinato Paynter percussion piano Price Range and Tessitura reduction of voice relative to individual rhythmic speech Traditional Richard Felciano sacred SATB div SATB Grade SATB1 seconds between adjacent secular shifting tonality shouting singing combined solo soloists Sound Patterns speech and singing suspended cymbal syncopation tonal tone clusters tongue clicks triplet eighths triplet quarters Type of Text unmetered sections vowels Walton whispering Traditional