Ave Papa/Ave Papabile: The Sacchetti Family, Their Art Patronage, and Political Aspirations

Front Cover
Centre for Reformation and Renaissance Studies, 2005 - Art - 252 pages
In 1624 Pope Urban VIII appointed Marcello Sacchetti depositary general and secret treasurer of the Apostolic Chamber, and Giulio Sacchetti bishop of Gravina. Urban later gave Marcello the lease on the alum mines of Tolfa and raised Giulio to the cardinalate. To assert their new power, the Sacchetti began commissioning works of art. Marcello discovered and promoted leading Baroque masters, such as Pietro da Cortona and Nicolas Poussin, while Giulio purchased works from previous generations. In the eighteenth century, Pope Benedict XIV bought the collection and housed it in the Capitoline Museum, where it is now a substantial portion of the collection. By focusing on the relationship between the artists in service and the Sacchetti, this study expands our knowledge of the artists and the complexity of the processes of agency in the fulfillment of commissions. In so doing, it underlines how the Sacchetti used art to proclaim a certain public image and to promote Cardinal Giulio as a candidate to the papal throne.
 

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Contents

Acknowledgements
7
Death Philosophy and Civic Duty in
27
Marcello Sacchetti
55
Cardinal Giulio Sacchetti and the Patronage
97
The Sacchettis
127
Conclusion The Question of Display and Taste
143
Index
177
Copyright

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