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GOTHIC VERSUS RENAISSANCE IN MUSIC
THE GILDED CAGE
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appointment aria Arnstadt artist associated Bach Bach's Bach's music beauty Beethoven burghers cantata Cathedral Catholic cause century chief chorale chorus Christ Christian church climax common composer composer's concertos congregation Cothen creative definite detail dramatic duet Duke earlier Eilmar emotional expression fact faith feeling Frohne Fugue genius German give Gothic Gramophone Company greater Handel human idea instrumental Italian keyboard instruments later Leipsig less libretto living Lutheran Lyons Cathedral major master material Matthew Passion means ment mental mind minor Mass mood Muhlhausen musician nature official orchestra organ organist original orthodox people's song phrase pieces pietist played polyphonic popular Prelude prince Protestant Protestantism realistic reality relation religion religious Renaissance Roman Schweitzer seems sense sharp minor significant singing sion skill solo Sonata songs spirit Spitta St John Passion style symbolism things Thou thought tion tradition tune vital Vivaldi vocal Weimar words