Back when We Were Grownups

Front Cover
Ballantine Books, 2004 - Fiction - 336 pages
"Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.
The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else's?
On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation--something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family's crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorce with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.
Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it--how she tries to recover her girlhood self, that dignified grownup she had once been--is the story told in this beguiling, funny, and deeply moving novel.
As always with Anne Tyler's novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.

"From the Hardcover edition.

From inside the book

Contents

Section 1
1
Section 2
23
Section 3
64
Copyright

10 other sections not shown

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About the author (2004)

Novelist and short-story writer Anne Tyler was born in Minnesota, grew up in North Carolina, and was educated at Duke University. Since 1965 she has lived in Baltimore, the setting for much of her work. With wry humor and sympathy, Tyler writes about the ambivalence of family relations, focusing on ordinary characters, most of whom live in Baltimore or in small Southern towns. Her concerns are with the human need to belong and to be loved, the necessity of making imperfect choices, and the acceptance of mortality. Beginning with her ninth novel, Dinner at the Homesick Restaurant (1982), which won the PEN Faulkner Award, Tyler has gained the wider audience she deserves. This novel shows Tyler's development as a writer: here, she is able to delineate family tensions over several generations. Tyler's feel for the oddities of families and the strange configurations of which they are made comes through vividly in The Accidental Tourist (1985).

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