Bad Bad moves the unabashedly juvenile persona elliptically constructed in Zirconia into a seriously amusing, un - blushing womanhood. The poems are equally clownish and fuck-offish, taking on with equivocal weightlessness the lexicons and trimmings of fashion, as it applies to the Self and the garments that clothe the Self, and self-obliteration, as experienced through immersion in the delights and disgust of the Other. "come on the revulsion//the revulsion//// when ////you bring it home////like seafoam//when you bring it home.... ," she writes, in an ecstasy of encounter. Minnis addresses the inner needs of the poet--"the purpose of poetry is to seem as lifelike as possible so that you actually exist"--and is everywhere concerned with the denotation of that which is true and necessary to the true and necessary poet. "it is a poem//which is a trough////where you can make your reputation////as a stiff///anyway, I am not trying to be human anymore//////I am trying to be smart....in the head....like a pissant......."
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ALBERTA PRIZE alright anyway baby bad f bad bad twin biting blouse boots bored buckle Catherine Wagner chartreuse Chelsey hates Chelsey Minnis chiffon chrome clown clothes clown suit coat compassion cracked open crying dead death dollar cash prize drink dung cart everything exhales eyes fake fall in love feel FENCE MODERN POETS Fifi at night finite happiness flashes fuck going grommets Gucci hair hand head hurt Joyelle McSweeney judge Rebecca Wolff kiss leather little girl look love poem loved my mentor man-thing Marianne Moore Martin Corless-Smith math meaningless Mental health questioned Michael Earl Craig Mildred mink misuse mmw I know MODERN POETS SERIES mudslides myself...and narcissism never pleasure poodle psychiatrist raincoat raised rocking the pearl ruffles scarved skunk sleeves someone sparklers straps supposed swan truck true underpants patterned vanity want to write wear wetsuit wish write a poem write poetry write this poem