Balinese Discourses on Music and Modernization: Village Voices and Urban Views

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Psychology Press, 2003 - Music - 367 pages
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While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, and scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines the influence of modernization on the traditional arts and their role in society. A concentration on Balinese discourses enables individual performers and scholars to represent themselves to a greater extent than previously seen in ethnomusicological scholarship, making this study more of a critical discussion among equals than a Western interpretation of others. This approach permits a rare view into contemporary Balinese conceptions and practices of music.
 

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Contents

THE TRANSITION FROM
33
CHAPTER
73
CHAPTER THREE
92
MUSICAL DISCOURSES IN THE CONTEXT OF STSI THE INDONESIAN
145
CHAPTER FIVE
185
CHAPTER
221
CONCLUSION
237
APPENDIX 2
253
Original Indonesian Text of Interviews Accounts Dialogues
273
GLOSSARY
329
BIBLIOGRAPHY
343
INDEX
363
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