Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse
Donna Anne Buchanan
Scarecrow Press, 2007 - Music - 441 pages
Since the early twentieth century, "balkanization" has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.
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accordion Aksu Aksu's Albanian album Aman arabesk artists associated audiences Balkan music band Belgrade bellydance Bosnian Bucharest cassette century chalga chalga videos ciftetelli clarinet commercial folk music concert contemporary context cosmopolitan Croatian culture dance davul depicted double-headed drum East Eastern elite ensemble ethnic ethnopop Europe European festival folk music folklore frescoes Garfias genres girl Greece groups Gypsy historical iconographic identity images instruments Istanbul Katsarova Kosova kyuchek lautari Macedonia makam manea mantili melody Mirjano modern Moldavian musical styles Muslim muzica orientala NCFM newly composed orchestra oriental Ottoman Turkish performed played political popular music produced recordings refrain regional repertoire rhythm rhythmic Roma Romani music Romani musicians Romanian principalities Sarajevo scene Serbian sevdalinka Sezen Sezen Aksu singer singing social socialist songs sound stereotypes stylistic symbol synthesizer turbo turbo folk Turkey Turkish music urban village vocalist Western world music Yugo-folk Yugoslav Yugoslavia zurna