Barrelhouse Blues: Location Recording and the Early Traditions of the Blues

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Basic Books, Aug 25, 2009 - Music - 240 pages
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In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't been captured on location by these performers and recorders.

Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.

 

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Contents

I
1
II
9
IV
23
VI
37
VIII
53
X
69
XII
85
XIV
109
XVI
127
XVIII
145
XX
159
XXII
171
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About the author (2009)

Paul Oliver is an eminent writer on the history of the blues. From an early age he collected blues records and books on the blues, publishing his first article in Jazz Journal in 1951. Since that time he has published dozens of books on the history of the blues and blues music, including Conversations with the Blues, The Story of the Blues, and Blues Fell this Morning. He lives in Oxford, England.

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