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Prologue Art as Mans Image
The Sources of Art
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abstract achieved actual Adelaide Crapsey aesthetic experience anapaests appear architecture artist beauty belonging blend carved cathedral character Clive Bell colour consciousness contrives cravings creative darkness derive desire devoid domain earthly effect elements emotional Enneads essence essentially eternal expression feeling formal forms of art Geoffrey Scott Havelock Ellis Hugh Ferriss human I. A. Richards images imaginative imitation important intense invention Keats kind least less light Madonna means melody ment merely metaphor mood motion movement mysterious nature ness never object occur odours ordinary painter painting Parthenon frieze particular Paul Strand perfect perhaps pleasure Plotinus poetic poetry possess possible produce Prometheus Unbound prose Psychology of Beauty pure rapture rendering revealed rhythmic rhythms sculpture sense sensuous shadow shape Shelley significance silence simple sion sound space spatial stanza strange sublime substance symmetry temporal theory things tion tive unity utterance Vincent Millay vision words