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admiration agreeable Alison ancient angular animals antichi appear Arti artists beauty in woman bellezza body bosom Burke cause CHAPTER character characteristics clavicles Cnidos colour degree delicacy delicate effect elegant elements of beauty emotion excite expression external eyes face female figure forehead functions Giunone grace greater Greeks hair haunches head Hence human human voice idea ideal illustrated imagination indicated individual intellectual kind of beauty Knight Leonardo da Vinci less libertinism limbs locomotive system ment mental mind mons veneris motion muscles nature neck ness nose nutritive system objects observed organs of sense Palazzo Rospigliosi parturition passions peculiar pelvis perfect physiognomy pleasure plumpness Praxiteles present proportion proportionally puberty quali qualities racter relation remarkable render respect sensibility sentiment skin soft species of beauty sublime taste temperament thighs tion trunk variety Venus Venus de Medici vital system Vitruvius women writer
Page 27 - The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale, or piny mountain, Or forest by slow stream, or pebbly spring, Or chasms and watery depths ; all these have vanished ; They live no longer in the faith of reason...
Page 67 - On the whole, it appears to me, that what is called taste, in its most general acceptation, is not a simple idea, but is partly made up of a perception of the primary pleasures of sense, of the secondary pleasures of the imagination, and of the conclusions of the reasoning faculty, concerning the various relations of these, and concerning the human passions, manners, and actions.
Page 143 - ... actors ; spare no cost upon the scenes and decorations ; unite the greatest efforts of poetry, painting, and music; and when you have collected your audience, just at the moment when their minds are erect with expectation, let it be reported that a state criminal of high rank is on the point of being executed in the adjoining square ; in a moment the emptiness of the theatre would demonstrate the comparative weakness of the imitative arts, and proclaim the triumph of the real sympathy.
Page 68 - A young man, whose passions are warm, will be more sensibly touched with amorous and tender images than a man more advanced in years, who takes pleasure in wise, philosophical reflections, concerning the conduct of life, and moderation of the passions. At twenty, Ovid may be the favourite author, Horace at forty, and perhaps Tacitus at fifty.
Page 132 - I may therefore conclude, that the passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly...
Page 101 - But in these, so far is perfection, considered as such, from being the cause of beauty ; that this quality, where it is highest, in the female sex, almost always carries with it an idea of weakness and imperfection.
Page 65 - In the morning of our days, when the senses are unworn and tender, when the whole man is awake in every part, and the gloss of novelty fresh upon all the objects that surround us, how lively at that time are our sensations, but how false and inaccurate the judgments we form of things!
Page 131 - Laughter arises from the view of two or more inconsistent, unsuitable, or incongruous parts or circumstances, considered as united in one complex object or assemblage, or as acquiring a sort of mutual relation from the peculiar manner in which the mind takes notice of them.
Page 141 - It is certain that the same object of distress which pleases in a tragedy, were it really set before us, would give the most unfeigned uneasiness, though it be then the most effectual cure to languor and indolence.