This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Beethoven Richard Wagner E.W. Fritzsch, 1870
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abstract accordingly actually aesthetic allegorical dream already analogy appears arise association of ideas awake awakening become Beethoven Beethoven's music brain ceptions cerebral character choral chyle civilisation clairvoyance cognition conception connection Coriolanus deep depotentialised distinct drama dream-image duction effect of music entirely essential nature excitation explain expresses external world fact faculty fancy fashion Faust feeling genius German spirit Goethe grasp harmony Haydn human voice Idea immediate impressions inasmuch inner innermost Italian language laws light manifestation manner matter mediation melody Mozart musician nerves ninth symphony numbers objectivation objects occurrences opera organ of dreams ourselves outer world outward peculiar perceive phenomenon plastic artist plastic arts poet poetical possible proper purely recognise recollection regard relation remains Schiller Schopenhauer Schopenhauer's sense sensorium Shakespeare shapes significance solely somnambulistic Sonata speaks sphere stand Sublime symphony takes place things thought tion Tiresias tones touched true vision Vorstellung waking consciousness whilst dreaming world of phenomena