Beethoven: The Music and the Life

Front Cover
W. W. Norton & Company, Jan 17, 2005 - Biography & Autobiography - 624 pages

An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” —New York Review of Books.

This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize.  "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator  "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review
 

Contents

Three Letters
3
THE EARLY YEARS
23
Music of the Bonn Years
53
The First Years in Vienna
69
Music of the First Vienna Years
93
Years of Crisis
111
Music for and with Piano
124
Music for Orchestra and the First Quartets
147
Music for the Stage
252
The Opera Leonore and Its Overtures 255 The Coriolanus Overture
262
Vocal Music
269
Beethoven at the Keyboard
280
THE FINAL MATURITY
330
Beethovens Inner and Outer Worlds
349
Bringing the Past into the Present
366
Late Piano Music
377

An Overview
169
Beethoven in the New Age
181
New Symphonic Ideals
202
The Mature Concertos
238
The Last Quartets
441
Notes 491
490
Copyright

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About the author (2005)

Lewis Lockwood taught at Princeton and Harvard universities, where he is Fanny Peabody Professor of Music Emeritus. His Beethoven: The Music and the Life was a Pulitzer Prize finalist. He resides in Brookline, Massachusetts.

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