Beethoven's Diabelli variations

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Clarendon Press, Jul 9, 1987 - Foreign Language Study - 220 pages
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Beethoven's Thirty-Three Variations on a Waltz by Diabelli, his longest and most complex piece for piano, stands beside the Ninth Symphony, the Missa Solemnis, and the late quartets as one of the monumental achievements of his last period. In this first extended study of these variations, William Kinderman investigates their compositional origins and explores them in the context of Beethoven's other works of this time. Kinderman shows how he transforms, parodies, and ultimately transcends Diabelli's commonplace waltz in a fascinating series of historical allusions to other composers in the final variations. Kinderman's discussion provides considerable insight into Beethoven's working methods and illuminates the structure of the finished work, and ultimately the nature of the creative process itself.

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Contents

The Interrupted Genesis of the Variations
3
The Early Sketches 1819
9
The Late Compositional Style
63
The Importance of Parody
69
Beethovens Treatment of the Theme
76
The Opening Variations
84
The Middle Variations
94
Preface
133
Bibliography of Works cited
216
Copyright

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About the author (1987)

Professor in the School of Music, University of Illinois at Urbana-Champaign.

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